CWA Dagger Shortlists Announced
The 2022 shortlists for the prestigious Crime Writers’ Association (CWA) Dagger awards, which honour the very best in the crime-writing genre, have been announced.
Created in 1955, the world-famous CWA Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.
The Gold Dagger, which recognises the crime novel of the year, sees debut author Jacqueline Bublitz on the shortlist of six. Before You Knew My Name was called “extraordinary” by the CWA judges. Also in contention are Abir Mukherjee, a previous winner of the CWA Historical Dagger for The Shadows of Men praised for its “intricate plotting”, and the bestselling ‘Southern noir’ crime writer, SA Cosby, for Razorblade Tears.
Razorblade Tears, a dynamic revenge thriller that “pulls at the heartstrings” also makes it onto the Ian Fleming Steel Dagger shortlist. Sponsored by Ian Fleming Publications Ltd, the Fleming family-owned company that looks after the James Bond literary brand, this award celebrates the thriller of the year. Cosby is up against past CWA Gold Dagger winner, MW Craven, who is in contention with Dead Ground, alongside established names including Laura Lippman and Linwood Barclay.
The anticipated John Creasey (New Blood) Dagger is awarded to the best debut novel of the year. Among the rising stars is Janice Hallett, shortlisted with her debut The Appeal, which was a Sunday Times Crime Book of the Year, praised as a “dazzlingly clever cosy crime novel”. Also on the shortlist is How to Kidnap the Rich by Rahul Raina, described by The Times as a “joyous love/hate letter to contemporary Delhi.”
Booker Prize winner John Banville is a heavyweight contender on the Historical Dagger shortlist. The prizewinning novelist and literary polymath is in the running for April in Spain. Banville is up against Ray Celestin whose novel set in 1960s Los Angeles, Sunset Swing, is also up for the Gold Dagger.
The Crime Fiction in Translation Dagger sees the award-winning Finnish author Antti Tuomainen make the shortlist with The Rabbit Factor translated by David Hackston. It follows the quirky story of a statistical mathematician, who finds himself mixed up with shady businessmen. He’s up against the high-profile Bullet Train by Kōtarō Isaka, translated by Sam Malissa, which is set to hit cinemas starring Brad Pitt and Sandra Bullock.
Maxim Jakubowski, Chair of the Crime Writers’ Association, said: “So many good titles and authors appeared on our long lists, but in a year of such overall excellence, to reach the shortlist is a terrific achievement. Congratulations to all the nominees, writers both established and new, publishers large and small; a diversity of quality demonstrating the independence of our judges.”
The CWA Daggers are one of the few high-profile awards that honour the short story. This year sees the bestselling Norwegian juggernaut Jo Nesbø on the shortlist with his story “London” from his first book of short stories, The Jealousy Man. Novelists Caroline England and Bryony Pearce are other names on the list.
The ALCS Gold Dagger for Non-Fiction shortlist includes the “absorbing” account of a trafficked New Zealand woman in The Disappearance of Lydia Harvey by Julia Laite. Also, Empire of Pain by Patrick Radden Keefe makes the list with his account of the Sackler family, who exploited America’s pain industry, fuelling the opioid epidemic. Judges praised it as a “tribute to investigative journalism”.
The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries. This year sees firm favourites from the genre on the shortlist: Cath Staincliffe, Edward Marston, Lin Anderson, Mark Billingham and Susan Hill.
The Best Crime and Mystery Publisher of the Year Dagger, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, sees publishing goliath HarperCollins on the list with its imprint Harper Fiction, as well as independent publisher Titan Books, part of the Titan Entertainment Group, which began life in the Forbidden Planet store in London.
The Daggers also celebrate unpublished authors with its annual competition for aspiring crime novelists. The competition to find the best new voices in the genre has been going for over 20 years. The winner will receive £500 as well as the attention of leading agents and top editors; over two dozen past winners and shortlisted Debut Dagger authors have been signed to date.
The CWA Diamond Dagger, awarded to an author whose crime-writing career has been marked by sustained excellence, is announced in early spring each year and in 2022 it was awarded to CJ Sansom.
The CWA Dagger shortlists were announced on 13 May at a reception hosted at CrimeFest.
The Dagger awards ceremony will be held at the Leonardo City hotel in London on 29 June, coinciding with National Crime Reading Month, which takes place throughout June. Tickets are available now from the CWA.
The Shortlists in Full:
GOLD DAGGER
- Before You Knew My Name, Jacqueline Bublitz (Little, Brown; Sphere)
- Sunset Swing, Ray Celestin (Pan Macmillan; Mantle)
- Razorblade Tears, SA Cosby (Headline Publishing Group; Headline)
- The Unwilling, John Hart (Bonnier Books UK Ltd; Zaffre)
- The Shadows of Men, Abir Mukherjee (Penguin Random House; Harvill Secker)
- The Trawlerman, William Shaw (Quercus; riverrun)
IAN FLEMING STEEL DAGGER
- Find You First, Linwood Barclay (HarperCollins; HQ)
- The Pact, Sharon Bolton (Orion)
- The Devil’s Advocate, Steve Cavanagh (Orion)
- Razorblade Tears, SA Cosby (Headline Publishing Group)
- Dead Ground, MW Craven (Little, Brown; Constable)
- Dream Girl, Laura Lippman (Faber)
JOHN CREASEY (NEW BLOOD) DAGGER
- Welcome to Cooper, Tariq Ashkanani (Thomas & Mercer)
- Repentance, Eloísa Díaz (Orion Publishing Group; Weidenfeld & Nicolson)
- The Mash House, Alan Gillespie (Unbound; Unbound Digital)
- The Appeal, Janice Hallett (Profile Books; Viper Books)
- Where Ravens Roost, Karin Nordin (HarperCollins; HQ)
- How to Kidnap the Rich, Rahul Raina (Little, Brown)
- Waking the Tiger, Mark Wightman (Hobeck Books)
HISTORICAL DAGGER
- April in Spain, John Banville (Faber)
- Sunset Swing, Ray Celestin (Pan Macmillan; Mantle)
- Crow Court, Andy Charman (Unbound)
- Not One of Us, Alis Hawkins (Canelo)
- Edge of the Grave, Robbie Morrison (Pan Macmillan; Macmillan)
- A Corruption of Blood, Ambrose Parry (Canongate Books)
CRIME FICTION IN TRANSLATION DAGGER
- Hotel Cartagena, Simone Buchholz translated by Rachel Ward (Orenda Books)
- Bullet Train, Kōtarō Isaka translated by Sam Malissa (Penguin Random House; Harvill Secker)
- Oxygen, Sacha Naspini translated by Clarissa Botsford (Europa Editions UK Ltd; Europa Editions)
- People Like Them, Samira Sedira translated by Lara Vergnaud (Bloomsbury Publishing; Raven Books)
- The Rabbit Factor, Antti Tuomainen translated by David Hackston (Orenda Books)
SHORT STORY DAGGER
- ‘Blindsided’ by Caroline England in Criminal Pursuits: Crime Through Time edited by Samantha Lee Howe (Telos Publishing)
- ‘London’ in The Jealousy Man and other stories by Jo Nesbⱷ edited by Robert Ferguson (Penguin Random House; Harvill Secker)
- ‘With the Others’ by TM Logan in Afraid of the Shadows edited by Miranda Jewess (Criminal Minds)
- ‘Flesh of a Fancy Woman’ by Paul Magrs in Criminal Pursuits: Crime Through Time edited by Samantha Lee Howe (Telos Publishing)
- ‘Changeling’ by Bryony Pearce in Criminal Pursuits: Crime Through Time edited by Samantha Lee Howe (Telos Publishing)
- ‘When I Grow Up’ by Robert Scragg in Afraid of the Shadows edited by Miranda Jewess (Criminal Minds)
ALCS GOLD DAGGER FOR NON-FICTION
- The Devil You Know: Stories of Human Cruelty and Compassion, Dr Gwen Adshead & Eileen Horne (Faber)
- The Dublin Railway Murder, Thomas Morris (Penguin Random House; Harvill Secker)
- The Unusual Suspect, Ben Machell (Canongate Books)
- The Disappearance of Lydia Harvey: A true story of sex, crime and the meaning of justice, Julia Laite (Profile Books)
- Empire of Pain, Patrick Radden Keefe (Pan Macmillan; Picador)
- The Irish Assassins: Conspiracy, Revenge and the Murders that Stunned an Empire, Julie Kavanagh (Atlantic Books; Grove Press UK)
DAGGER IN THE LIBRARY
- Cath Staincliffe
- Edward Marston
- Lin Anderson
- Mark Billingham
- Susan Hill
PUBLISHERS’ DAGGER
- Faber & Faber
- HarperCollins; Harper Fiction
- Penguin Random House; Michael Joseph
- Pushkin Press; Pushkin Vertigo
- Titan Books
- Profile Books; Viper
DEBUT DAGGER Sponsored by ProWritingAid
- Henry’s Bomb, Kevin Bartlett
- Holloway Castle, Laura Ashton Hill
- The 10:12, Anna Maloney
- The Dead of Egypt, David Smith
- The Dieppe Letters, Liz Rachel Walker
CWA Dagger Judging Panels
The judges, who have been deliberating on the submissions from publishers include leading authors, bloggers, newspaper reviewers, academics and media professionals.
You can view the judging panel for each category on the CWA website: The Daggers — The Crime Writers’ Association (thecwa.co.uk)
Dagger Sponsors
ALCS – Sponsors of the Gold Dagger for Non-Fiction
The Authors’ Licensing and Collecting Society (ALCS) is a not-for-profit organisation started by writers for the benefit of all types of writers. Owned by its members, ALCS collects money due for secondary uses of writers’ work. It is designed to support authors and their creativity; ensure they receive fair payment and see their rights are respected. It promotes and teaches the principles of copyright and campaigns for a fair deal. It represents over 100,000 members, and since 1977 has paid around £500 million to writers (alcs.co.uk).
Ian Fleming Publications Ltd – Sponsors of the Ian Fleming Steel Dagger
Ian Fleming Publications Ltd is the Fleming family-owned company that looks after the James Bond literary brand, by promoting and making available all of Ian Fleming’s 007 books across the world. They also keep the brand alive through the publication of new stories by authors such as Anthony Horowitz, William Boyd, Jeffery Deaver, Sebastian Faulks, Raymond Benson, John Gardner, Kingsley Amis, Samantha Weinberg, Steve Cole and Charlie Higson. Alongside James Bond publishing, the company also manages the rights for Fleming’s two non-fiction books and his only children’s book, Chitty Chitty Bang Bang.
ProWriting Aid – Sponsors of the Debut Dagger
ProWritingAid was created by writers, for writers. Our primary goal is to help new writers get their stories and ideas across in the clearest and most effective way possible. We are passionate about language and believe good stories are intrinsically entwined with the words and phrases used to express them. ProWritingAid will never replace a human editor (our software can’t spot your plot holes!) Rather, our software helps you self-edit to a deeper level so that when you send your manuscript off to a human editor, they can focus on the content of your writing and not spend their time fixing basic writing issues like passive voice or emotion tells.
We are thrilled to sponsor the Debut Dagger competition. ProWritingAid’s primary goal is to help more writers get their stories out into the world, and the Debut Dagger is such an amazing opportunity for new crime writers to get their work in front of people that matter.
The CWA runs National Crime Reading Month in June: www.crimereading.com.
CWA Daggers – The Categories
GOLD DAGGER
This award is for the best crime novel by an author of any nationality. It was originally created in 1955, called the Crossed Red Herrings Award. It was renamed the Gold Dagger in 1960.
IAN FLEMING STEEL DAGGER
Eligible books in this category are thrillers set in any period and include, but are not limited to, spy fiction, psychological thrillers and action/adventure stories.
JOHN CREASEY (NEW BLOOD) DAGGER
This award is for the best crime novel by a first-time author of any nationality.
CRIME FICTION IN TRANSLATION
This award is for a crime novel not originally written in English and which has been translated into English for UK publication.
ALCS GOLD DAGGER FOR NON-FICTION
This award is for any non-fiction work on a crime-related theme by an author of any nationality.
HISTORICAL DAGGER
This award is for the best historical crime novel, set in any period up to 50 years prior to the year in which the award will be made.
CWA SHORT STORY DAGGER
This award is for any crime short story first published in the UK in English in a publication that pays for contributions, or broadcast in the UK in return for payment.
DAGGER IN THE LIBRARY
The Dagger in the Library is a prize for a body of work by an established crime writer who has long been popular with borrowers from libraries, and who has supported libraries and their users.
DEBUT DAGGER sponsored by ProWritingAid
A competition for the opening of a crime novel and synopsis, chosen by judges.
PUBLISHERS’ DAGGER
This prestigious Dagger is awarded annually to the Best Crime and Mystery Publisher of the Year.
DIAMOND DAGGER
Awarded every year to an author whose crime-writing career has been marked by sustained excellence, and who has made a significant contribution to the genre. Votes from CWA members go forward to be deliberated on by an independent panel.
This Dagger is announced in early spring each year and in 2022 it was awarded to CJ Sansom.
To view past winners, or find out more, please visit https://thecwa.co.uk/the-daggers
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